When Alexandra and Michael Buxbaum moved into their East Village space in 1995, the adjacent back alley was a haven for car thieves dissecting their finds, mostly GM models. Those extracurriculars inspired one of the quirkiest gallery names in the city, and while the neighborhood has gentrified considerably, Stolen Buick's aim to support street photography has remained the same.

The wide-open storefront promotes mostly local photographers and mixed-media artists across two to four exhibits per year and a massive archive. A large muted TV and mementos from the gallery's history give the space a lived-in feel. For a dollar or two you can take home something more personal than Hallmark: a greeting card or postcard featuring a contemporary photo reproduction.

From this modest studio sprung the impressively titled International Center for Documentary Arts, helping to join photographers with their clients and artists with their audiences. The organization advances photography as a medium that helps us look deeper to see people beyond common misconceptions. Its "virtual gallery" features work from four continents; closer to home are shots from a massive immigration rally and intimate feline portraits. Membership for photojournalists and freelancers begins at $49 per year, photo excursion classes cost $69 and up.

Centerstage Reviewer: Justin Sondak