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Theater Shows
Fiorello!

TimeLine is bringin' a little slice of Broadway back to Chicago.

centerstage reviewed this performanceReviewed by Centerstage!Go Chicago!

Venue:
TimeLine Theatre Company
615 W. Wellington Ave.
Chicago, IL 60657 Map This Place!Map it
Phone:
(773) 281-8463
Tickets:
$25-$30 general, $15 students, $15 previews

Author
Jerome Weidman & George Abbott

Company
TimeLine Theatre Company

Styles

Related Info:
Official website

Performances
Runs April 13, 2008-June 15, 2008

Friday8 p.m.
Saturday4 p.m. & 8 p.m.
Sunday2 p.m.
Wednesday7:30 p.m. 5/28, 6/4 & 6/11
Thursday7:30 p.m.

Recommended a "Must See" Show

Some off-the-wall ideas ("Let's make a musical of 'Carrie'!") become instant flops. Others ("Let's make a musical about Mayor LaGuardia!") become stealth classics. TimeLine Theatre's loving revival of "Fiorello!" makes a strong case for the "classic" classification. The musical, which won the Pulitzer in 1959, tells the story of a mayor actually fighting against corruption (Chicago is confused). It's a big-hearted, tuneful show that makes you root for corny stuff like the little guy getting ahead, and the good girl getting her man, without sacrificing its sense of emotional truth. This might have something to do with TimeLine's crackerjack ensemble, which focuses more on connected acting than on perfect warbling. Pair with Strawdog's new (and doubtlessly more cynical) election-focused musical "Old Town" for the perfect theme weekend.


reviewed performanceCenterstage Show Review
Reviewer: Colin Douglas
Monday Apr 28, 2008

Fiorello LaGuardia, New York City's Italian-Jewish mayor from 1934-1945 and champion of the common man, is both the subject and hero of this exciting, Pulitzer Prize and Tony Award-winning musical biography. The play skillfully shows how one honest man's fight against political corruption and bureaucracy ended up with his becoming one of the most enduring figures of the 20th century.

The decision to revive TimeLine's top-selling, Jeff Award-winning show from its 2006 season was both economically and artistically a wise one. It fits nicely with this season's theme: how ordinary people respond to extraordinary circumstances. As artistic director and leading actor for this production PJ Powers explains, "Fiorello was the ultimate underdog and is the model for how the little guy can make a huge difference; his story resonates with audiences in remarkable ways."

Most of the original production's design team returns, including talented director Nick Bowling and skilled musical director Doug Peck. Their work on this piece is once again flawless. Kudos for the lifelike characterizations, the powerful harmonies and the exquisite diction exhibited by each and every actor. Peck's full-sounding six-piece ensemble is wisely housed behind the set to allow focus on the performers.

Kevin Hagan has created a versatile stage environment that envelops the entire space. He employs the metaphor of LaGuardia's ascent to success through a series of practical, ladder-like set pieces on which the actors climb. Mike Tutaj's enlightening opening sequences provides an informative audio-visual presentation, which is nicely synced to both the overture and the entr'acte. And while we're on the subject, praise must be given to the informative program and lobby display, both of which immeasurably enhance this theatergoing experience.

The accomplished ensemble of actors, now including Actor's Equity guest artists, is headed by PJ Powers, who energetically inhabits the title role. He is both extremely likable and convincing, larger than life in his presence. LaGuardia's dedicated office staff becomes his (and each other's) extended family. Alan Schmuckler's likable, eager young Neil, Michael Kingston's staunch, Jewish family man Morris and Rebecca Finnegan's heartbreaking Marie, Fiorello's stalwart defender and secret admirer, are all superb collectively and individually. Andrea Prestinario is touching as Fiorello's lovely Italian wife, Thea, and Donica Lynn stands out in the ensemble, especially with her rendition of "Gentleman Jimmy." For those not familiar with either this musical or with this era of American history, TimeLine's family-oriented production is a must-see.

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